What Real Dialogue Sounds Like

Read Like a Writer Series #4

Feature novel: Steel Pennies for $0.99.

Have you ever become frustrated by a story’s dialogue? It sounds stilted. No one really talks that way. If the gang banger was that ticked off, why didn’t he use cuss words?

Dialogue may be the most difficult lesson for a writer to learn, yet it’s the thing that throws you as a reader right out of the story and onto another book.

What does real dialogue sound like? Writers imitate the speech they hear around them, but often forget or never learned that in weaving a well-told tale, the dialogue moves the plot forward. The challenge is to make it sound like real people while leaving out unnecessary verbiage.

As a reader of dialogue, you can sharpen your ear the same way you hone your ear for music – by listening. Next time you’re out and about, pay attention to the speakers around you. Yes, I want you to eavesdrop. Where are the best places for this nefarious activity? Try the obvious like your local coffee shop. Sit on a bench at your local mall so you can listen to the tidbits of conversation you pick up as people pass you by. Listen at work or school. What are people saying and how do they say it? TV and movies also provide a base for dialogue, but be careful to listen to good TV or films.

One of the fun things with movie dialogue is to listen to the characters in the old movies from the thirties and forties. Listen for slang that is no longer used or sappy romance dialogue that wasn’t believable then and is plain laughable today. When was the last time you heard someone say, “Oh, you big lug?”

This month’s full-length feature novel is Steel Pennies. “I contemplated how my hand had been up inside Cynthia’s skull.” Check out Steel Pennies, a noir thriller coming of age novel set in 1960. Read a chunk free on Amazon. Hey, it’s only $0.99 today.

Enter the Secret World of the Strangers and Monsters Among Us

Delve into the secret world of the monsters and strangers among us. Here are examples from my novels:

Fulfillment: Satan and his minions; Nathan, an evil-possessed killer posing as a would-be lover; and Bezalel, a Captain of the King’s Guard who would kill anyone on the king’s orders, including innocent babies.

Hags: Denise Appleby, a hag as old as the middle ages and as young and pretty as a girl of twenty; Lionel Langdon, a merciless serial killer and rapist; Ahlman Brown, a demon posing as a wealthy philanthropist; Barbara Mathers, an attractive  young lady with a deep, dark secret; and of course, Micah Probert, the new guy in town who has a past.

Steel Pennies: Yes, there are strangers among us that we don’t recognize, killers and secret evil doers. Steel Pennies will test your prejudices and deductive reasoning skills as you learn who the killer is in this mystery thriller, hopefully before someone else is murdered.

Snpgrdxz and the Time Monsters: With a title like this, you know you’re in for visits from strangers and monsters. Snpgrdxz is certainly a stranger with a name like that, but does this teenage alien shape shifter stand for good or evil? Throw in Turpelator in all his out of time manifestations and you have a daemon bent on trouble. Don’t forget all the creatures who go bump in the night in this nonstop action adventure, horror, scifi, fantasy, romance – yeah, you get the idea. And is Jennifer Hawkins the most dangerous evil-doer of them all? Or is she a sweet, innocent teenager? Or both? Find out when you read the Snpgrdxz series.

Offbeat writing
My offbeat writing style combines noir with a twist of humor. Here are the opening lines to get you started:

Fulfillment: A loud roar shook the house. 

Hags: From the mattress on the floor of the back bedroom of his antique Victorian fixer-upper, Micah Probert heard a far off scream.

Steel Pennies: I gawked at the eye holes, gasped, and dropped a chunk of somebody’s skull at Bob’s feet.

Snpgrdxz and the Time Monsters: From where she stood at the foot of my bed, fifteen-year-old Jennifer Hawkins couldn’t miss, but would this sweet girl shoot me?

Is this place for real?
My stories take place in real neighborhoods, perhaps one near you. The exceptions are Fulfillment which is set in the ancient world and Snpgrdxz and the Time Monsters which starts in Wheaton, an ordinary suburb of Chicago but moves quickly to an underworld that can best be described as Dante’s first circle of Hell. From there the time travelers, including a teenage space alien shape shifter, end up back in Wheaton but the time is 1923 and the strangers and monsters abound at every step of the journey. Hags is set in modern day Naperville, Illinois. Steel Pennies takes place in 1960 in West Chester, Pennsylvania, which is a university town located about 30 miles west of Philadelphia.

Characters who talk the way real people talk
Dialogue brings a story to life. Here’s a sample from Snpgrdxz and the Time Monsters:

By the time we escaped Lincoln High that afternoon, the sun waited for us, the trees stirred, and the ninety-plus temperature blasted our faces. I offered Jennifer Hawkins a ride home.

“I can’t, Bryan. You have to stop asking me for a date.”

“It wasn’t an invitation for a date. It’s transportation. Gilbert will ride with us. We’re safe.”

“I don’t think I’m allowed to ride in cars with boys.” Gilbert’s falsetto pierced my ears as he tossed his backpack on the backseat of my mom’s Malibu.

“Gilbert, you ride with me every day.” I opened the front passenger door for Jennifer.

“Oh, right. What about Jennifer?” Gilbert jumped in the backseat.

“I don’t mind riding in cars with boys, Gilbert. I’m not sure I’m supposed to, and I’m forbidden to date them until I’m older.” Jennifer threw her backpack into the Malibu.

“How much older?” I asked.

“Not until I’m forty.” Give Jennifer credit. She kept a straight face.

I could feel my jaw bounce once on my chest.

Jennifer noticed I wasn’t breathing. “I’m kidding, Bryan. I’m supposed to wait until I’m sixteen.”

“Oh. So that’s why you said no to me?” I fumbled with my keys and dropped them.

“It’s a reason.” Jennifer hopped in the front seat while I put my tongue back in my mouth and pushed my jaw closed. My heart resumed beating. I took in the aroma of sweet flowers that wafted into the Malibu with her.

I located my keys by crawling under the car to coat myself with hot tarmac and gravel. Back in the Chevy, I drove north on Main Street through downtown across the railroad tracks and past the coffee shop and other stores of old Wheaton. Jennifer asked me to turn right at Jefferson. A few blocks later, she said to make another right. She pointed out one of those Victorians from the Middle Ages near the college and asked me to drop her off.

I pulled over to the curb and stopped.

She unlatched the door, but didn’t open it. Instead she gazed into my eyes. “Just because I’m not allowed to date doesn’t mean I don’t like you, Bryan Ganarski.”

She leaned across the seat and planted one full on my lips. I forgot about Gilbert in the backseat while Jennifer and I made out for a few minutes. We pulled back from each other. Jennifer flashed the biggest smile ever aimed at me by a girl, giggled once, and stepped out of my mom’s Chevy.

“I never did that before.” She galloped up to her front porch and disappeared inside her house.

I about peed my pants a minute later when Gilbert said, “Guess you guys are like a couple, now.”

I had forgotten about him. But it soon turned crazier. Not as insane as the midnight visits to my bedroom, but almost. As I pulled up to Gilbert’s house, Daniel Brickmaster said, “Hey, this isn’t where I live.”

I slammed on the brakes and checked the rearview mirror. Brickmaster grinned at me. Gilbert had vanished.

Interested? Click here.

How to Take Your Dialogue to the Next Level

Yesterday, I wrote about how to enhance the dialogue you write by thinking more about how people often only half listen in a conversation. I suggested asking leading questions to force the other person to more fully participate in the conversation. Last night at my writer’s group, I gave an exercise in three parts. In part one, we wrote a monologue. In part two we revised the monologue as a dialogue with two speakers. The third part of the exercise was to revise the dialogue to indicate that the second person was only half listening. The first speaker was permitted to ask leading questions. The prompt for the exercise was: I won’t see you until…

It was a timed exercise so I skipped the quote marks and tags. Here is my result for part three.

I won’t see you until Danny comes back from that Jupiter trip –

Wait. Danny went to Jupitor?

Yeah.

What’s he doing on Jupitor?

I don’t know. Something about picking up crops or plants or trees or whatever they grow up there these days.

Oh, that reminds me. Mom picked up the coolest oak cabinets for the kitchen at ISOGS.

No, no, you’re missing the point.

What? You said trees. Naturally I assumed you meant oak. They’re the only ones that grow in outer space.

Wait. I wanted to tell you I love you.

You what? This isn’t about my mother’s kitchen, is it?

You’re spoiling the moment, darling. Don’t you feel what I feel?

Did you say you wanted to tell me something about loving me? No, that couldn’t be right? What were you saying?

I wanted to tell you I love you because, frankly, that’s the way they do it in vampire  movies, and well, I have a little confession to make.

Vampire movies? Oh, that reminds me. Did you see Dawn of Dead Blood Suckers yet?

You watch vampire movies?

Yeah, you knew that, right?

Noooo. Since when?

Last Saturday. George Nipster took me.

Wait, you went out with George?

Yeah.

I thought we were dating?

We are? Oh, I thought we were just friends.

Well, I am a vampire. We don’t do friends. Well, we do friends, but we don't have any.

I thought you were a werewolf. Danny said to watch out because you’re a real wolf.

Yes, I know you think I’m a werewolf, and I am. But then Gilrod bit me the other week, and now I have to leave for Space Station Alpha. I think I’ll always be under a full moon up there –

Hold on. You’re going to the moon?

No, Space Station Alpha.

When did you become a space junkie?

When I became a werewolf I got that free scholarship to NIU where all the animals go.

So are you a vampire or a werewolf?

So yeah, exacty. I’ll be a blood sucking werewolf in space. Or I’ll bite all their heads off and then suck their blood, but either way it won’t be pretty when Danny returns from Jupitor with that cargo ship load of wolfsbane and oak stakes.

Aren’t you allergic to that stuff?

Sure, but I can avoid the wolfsbane. All I have to do is not drink any poisoned Tang. But the oak stakes? One or two I can catch but a cargo ship loaded with them?

***

Did you download your $0.99 copy of Snpgrdxz and the Time Monsters yet? Today on Amazon for your Kindle. Click here and be sure to pass the link on to your friends.

Why Do Characters Ask Questions?

On the surface, you may be wondering why I would even ask a question about questions. Characters ask questions because they need an answer from another character in the story. Pretty simple, right?

Not.

Consider when a sales person or teacher asks you a question. By sales person I’m not thinking of those pesky telemarketers that call you in the middle of your dinner. I’m thinking about professional business development people who are tasked with finding new customers and serving existing customers for your company or any company for that matter.

The sales rep needs information to guide you to make the best decision about a purchase for the needs of your business. The sales rep asks a lot of questions about those needs. But if you listen closely to the conversation, there is something else going on. The sales person has to be a good listener and asking a question forces the sales person to listen to you instead of “selling” you.

But it works the other way around. If the sales person tries to tell you or “sell” you on a product, you’ll only half listen. You have better things to think about then listening to some sales rep natter on about a product you’re only half interested in, in the first place. The smart sales rep asks instead of tells. You’ll hear questions like:

• How would it feel to never have to worry about digital security breaches again?
• How would a new digital security breakthrough fit into your network?

Such questions are conversation starters. When a sales rep opens a dialogue, the customer listens and responds. The exchange will be in the form of brief statements and more questions. For the sales person, this dialogue will guide the customer in making an informed choice about their purchase.

BTW, the questions above are the type we ask at FXX Enterprises about our new digital security solution, DVNC, which prevents the kind of security breaches you hear about every day in the news. This, of course, raises another question: Why aren’t more of those big box retailers, restaurant chains, banks and medical offices calling us yet? Learn more by visiting our FXX website by clicking here.

The same thing applies to a teacher or college professor. If your instructor drones on with a lecture for the whole class period, you’re likely to be found among those students snoring away in the back of the room or among the note exchanging lovers. Either way, you’re not going to ace that next exam. But if the teacher asks leading questions, you are more likely to become engaged in the topic leading to that A. (They still give As, don’t they?) 

Let’s bring this Q&A back to writing dialogue in fiction. If people only half listen, then how realistic is it for your characters to have a lovely conversation as though they have nothing else on their minds to distract them? Instead of trading facts and opinions in a nonstop back and forth of data dumping, have your characters raise leading questions that force the other character to respond.

Your characters, like people everywhere, have to focus to answer a question. If a character isn’t focused on the conversation, asking a question will make this obvious and help restore the listener’s focus.

To add realism to your dialogue, have a distracted character not listen. Have the other character call out the non-listening one. While you’re engaged in writing realistic dialogue, avoid long lectures by your character by breaking the information up into a back and forth conversation. (There are exceptions of course, but in general, short and spiffy is better than long and “Oops, I fell asleep. What were we talking about?”)

Why haven’t you downloaded Snpgrdxz yet?
My full-length new novel, Snpgrdxz and the Time Monsters, is going for less than a buck for your Kindle this week on Amazon. You only have today and tomorrow. So what gives? Why wouldn’t you click on over to Amazon right now and check this deal out?

Move the Plot Forward

For those times you find yourself unable to push down the pesky keys, move the plot forward. You know what has to come next in your story, so describe your ensuing scene. Begin with a description of the location and then move on to dialogue. Don’t worry about the quality of your writing. All you want to do at this point is put the facts down on your computer. You will come back later and polish your writing.

Here’s another way to write out of a block, especially if you don’t really know what comes next in your story. Push two of your characters out on stage and get them talking to each other. Treat the scene like a blind date where the conversation is always awkward at first. Within a few lines, the dialogue will turn golden as your characters become comfortable. If you need to describe the next scene before the dialogue can begin, then start writing about the location as I mentioned earlier in this article.

When blocked, don’t worry about the poetry of your words or the logic of your description or even if you are covering all the bases in your description. Just begin listing what has to be mentioned, but do so in sentence form. The idea is to focus on the facts of the story. Putting down the facts will lead you to write them in your natural story-telling style.

The key to successfully completing a novel is to keep on writing no matter what. Don’t stop because you feel blocked. Deny the existence of writer’s block. I do. Press the keys no matter what.

Comments welcome, even if you feel blocked. In the meantime, Snpgrdxz...