Introducing myself -- again

Okay, blog, you're about to see a lot more action as I update you with much greater frequency. To kick off my new commitment, here's a re-introduction based on a form Peg Brantley sent to our ACFW suspense writers loop...

Name: Paul R. Lloyd
Where You're From: Warrenville, Illinois -- a suburb of Chicago
Favorite Suspense Authors: Dean Koontz, Travis Thrasher, classic mystery writers like Dorothy L. Sayers, Dashiell Hammett (The Maltese Falcon) and Raymond Chandler ("He wrote like a slumming angel..."). The quote is from Ross Macdonald whose work I can't seem to find anymore. Mickey Spillane who wrote in a style similar to my own (no ego here, right? :-). I recently rediscovered Stephen King after a long absence and have enjoyed his work. J.A. Konrath understands the use of the hook and a well-placed joke. A fairly new author is John Galligan who writes the Fly Fishing Mystery series. He spins a good yarn. I'm a big Brit mystery fan. Julian Barnes is a hoot. Read him carefully and he'll teach you how to switch POV in mid-paragraph and make it work. He's a master at the craft. England, England is one of his books. Neil Gaiman is a joy. Thomas Phillips (The Molech Prophecy) was in my online writer's group for a time. He is an excellent wordsmith.
What you're reading now: Just finished Paranormal America which is a sociology study of the paranormal community in America. Very informative reading for thriller authors. Like what percentage of big foot devotees believe in other paranormal events?
Published or Pre-published? Pre. My wife and I own a marketing business and self-publish books -- our own and for other authors. Planning to self-publish a thriller later this year for the Christmas market. Think Stephan King visits Bethlehem or What was Satan doing while God was going about the business of sending his son to save the world? I have several non-fiction books self-published. And an e-book of mystery short stories.
How many manuscripts have you written?: Fiction: Five. One is publishing ready. Another will be ready very soon. The others are waiting patiently for editing.
What are you working on now?: FULFILLMENT. It's the Christmas suspense novel. I'm finishing an extensive editing process I go through with my novels. We'll be testing some online marketing techniques we've been learning. Should be interesting. Stay tuned.
Where you can find me online:
www.zuklloyd.com

Fiction blog: http://paulrlloyd.blogspot.com

Business blog: http://zuklloyd.blogspot.com

Linked In (I accept all invites to connect): http://www.linkedin.com/profile/view?id=811644&trk=tab_pro
Twitter: PaulRLloyd

Waiting for Writers

The Starbucks Café in Barnes and Noble sits green with envy and aging wallpaper with blowups of novels, some classical and some just old. In Geneva Commons Shopping Center, Geneva, Illinois, the store’s team works to the tune of CDs played and offered for sale. Piano music, soft and soothing works with cranberry scone and decaf café mocha. Grande style.

Alice K. Arenz Visits

Author of Mirrored Image

The cover of Alice K. Arenz’s novel is compelling. When Lynn passed a copy on to me, I had to read it. It takes place in the 1980s which, of course, is a favorite decade because that’s when we started our company, Zuk-Lloyd Associates. Mirrored Image reminds us just how far we’ve come in a few decades with the technological revolution revolving around cell phones, the Internet and social networking. Imagine having to look for a pay phone in an emergency. What a drag.

Two things I look for in a novel: a compelling story and crisp, clean writing. Arenz has accomplished both. Mirrored Image is the story of a newspaper columnist who is assigned to investigate a murder where the victim shares an uncanny likeness to her. Did the killer get the wrong one? Stir in an attractive police detective, along with the usual suspects, and you have the makings of a romantic suspense story that will stay with you after you finished the last chapter.

I invited Alice K Arenz to stop by for a blog visit. She graciously answered the following questions for me…

1. What prompted you to write this story?
My answer would have to be God. If it weren’t for Him, I wouldn’t be able to put two words together!

2. Why did you decide to set the story in the eighties?
This is an easy one to answer. I originally wrote the book in 1986, which is why it’s set in ’86. It was “almost” accepted by a now defunct small press. It broke my heart at the time, but as the years went by and I kept re-writing MI, I just got the overwhelming feeling that when I finally got it right, the way it was supposed to be all along, that it would finally achieve publication. So I followed the Holy Spirit’s leading, kept faith, and MI is now a REAL book!

3. Do you plan your novel in detail before you start writing or are you more inclined to just write the story as it occurs to you?
Never. I’m a total and complete seat-of-the-pants writer. I literally don’t know what is going to happen until it does. Any time I try to interject what I “think” should go into the manuscript, it’s a total flop. I’ve learned to keep the communication lines between God and my subconscious open – and then wait for the surprises.

4. Are you writing a new novel at the moment? Can you tell us anything about it?
I’m currently on hold with my latest novel, An American Gothic, which was originally scheduled for release in Oct. 2011. Gothic is a classic romantic suspense in the old style – like Phyllis A. Whitney, Mary Stewart, or Victoria Holt might have written – just updated. It’s written in the first person through the eyes of Lyssie Daniels, who is attempting to fulfill her dream of writing an old-fashioned gothic novel. A paragraph or two of Lyssie’s novel “Craven” opens each chapter and foreshadows the action to come in Lyssie’s real life.

Right now, I’m working on a short cozy for a book that will be a compilation of several authors. I’ve always been rather long-winded, so this is something I’m a little nervous about.

Thanks for asking me to be here today, Paul!



You're welcome!

How can a Christian write a story where a character commits a murder?

The role of the artist often is confusing to Christians as well as non-Christians who think Christians are supposed to be better than everybody else. The truth is Christians are about the biggest sinners around. Not only are we vicious little sinners, but also we should know better. Knowing what is right and wrong makes our sin that much worse according to this line of reasoning.

Certain Christians believe artists should only take on projects that meet the Christian ideal of what is uplifting and Christ honoring. For them, the Christian artist should never depict a life of sin since that might lead a person exposed to the art into temptation. I can't imagine a story without a sin element in the same way that I can't imagine a character without a flaw. Besides, who would want to read the boring story of perfect Sam or Sally?

Are artists sinning when they depict sin in their art? The opposite is true. To ignore sin or pretend that it doesn’t exist would be a lie. Artists are called to express the truth, whether they create music, paintings, films or suspense novels.

Writers, like all artists, are called to plum the depths of the human condition. We dive deep into the black places of the soul and shine the love of Christ. Christ's love reveals sin. Sin may be forgiven or unforgiven. Confessed or unconfessed. But all sin is revealed in the light.

Writers are the reporters or journalists of the action of the story. We report the great love people show towards one another as well as the evil they do. To hide the sin -- or worse -- to ignore it -- would itself be sin for we seek to reveal the truth. People don't just sin. Their actions are the result of a lifetime (back story) of actions, thoughts, etc. that make up the character's strengths and flaws.

As writers, our model is Jesus Christ, the great story teller. In his tales, people are beaten, robbed, left for dead, and ignored by the very people who should rush to their aid. A man can take his inheritance, squander it in a sin-filled life of pleasure, end up broke and living in a pig sty. Those are the stories Jesus tells. The stories his followers tell are even more violent. Has any modern writer told a more vicious, blood-curdling story than that of the crucifixion of Jesus? And it's a true story, not fiction. Even the sweet story of the Babe of Bethlehem includes the murder of the Holy Innocents. And do we really understand the justice in Peter's condemning a husband and wife to death for what in our age would probably not even qualify for civil action? What is that story about? Writers make us think, don't they?

The contribution the Christian brings to the art of the story is his or her personal relationship with Jesus Christ. Yes, it's about having a Christian worldview but it goes beyond that to walking close to our Lord and writing the story He wants us to tell. He doesn't hold back when it comes to telling stories about humans. We are sinners and our stories have to include the sin.

Stories written by Christians, like all stories, are filled with passion, murder, love, angst, abuse, etc. The difference, if there is one, is the redemptive message itself. Christians live in a world where redemption is real, life has meaning, and people matter. In our stories, we recognize the difference between good and evil. We show that people really can change and that no matter what happens during the course of our story, in the end good will triumph. Maybe not at the end of the story we are telling, but certainly at the end of the age. The victory is certain. Our stories help the reader see these things for their edification and entertainment.

Writing Guide: The Book of James, chapters 3 and 4, provides good advice for teachers that writers would do well to read and consider.

In Reverse

Serves four.
Garnish with fruit.
Flip onto serving plate.
Turnover.
Wait one minute.
Place on hot grill.
Cover thoroughly with egg mixture.
Dip bread.
Beat eggs.
Add a few drops of milk, water or whatever you are drinking.
Deposit in bowl.
Crack two eggs.

French Toast.

Mosquitoes

The mosquitoes have moved in. Have you noticed how nasty they are this year? We can’t use the front door because they’ve camped out there. We tried putting citronella plants around the door but the cardinals took them for their nest in the dryer vent. Now we finally have cleaner smelling clothes.

We go in and out the garage door these days. The mosquitoes say, “Oh, look, the big cave is open.” And they move in. Ever get bug squashes on your windshield? In the garage?

I fixed the mosquitoes. I stopped killing the spiders. You ever see a spider scratching an itch? Not a pretty sight. Now I have way too many spiders in the house, but you should see the fishnet covering the ceiling of our bedroom. Very romantic. The only problem is now the spiders get cold at night. They’re cold blooded, you know. So they move into the bed with us to warm up. It’s not so bad once you get used to the squishy sounds whenever you roll over. Or whenever the wife rolls over which is followed by the little scream. Squish, squish, ee-yeow!

And if you sleep with your mouth open, you won’t be hungry in the morning. Speaking of hunger, ever notice how much a spider can eat? See, they move into the bed because they’re cold. They curl up in your warmest place and go to sleep. Yeah, that’s right, the warmest place on your body. I told you they were cold blooded. Oh, and they get hungry in the middle of the night.

Do you know how long a spider bite lasts beyond when a mosquito bite goes away? So how do you keep mosquitoes out of your house? Let me know soon because I’m planning to evict the spiders.

February in Geneva, Illinois or a Cool Study for Summer

She leans on the small round table, chin propped on hand, elbow on Formica in the Geneva Barnes and Noble. The eyes are warm and she smiles softly almost like a lover, but the subject of her affection is the little girl across the table. She expresses her exhaustion along with a mother’s love in this look.

No wedding ring. Mom without Dad. Her coat is dark grey with a green plaid lining peaking out of her hood. Upon her dark blonde hair she sports a bright red velvet hat. Mom after work.

In mid description, Mom exits with the little girl, leaving undefined the natural beauty of her eyes, nose, sweet smile, soft chin, high cheek bones, and a life lived day-by-day.